X100 Urban Guerrilla Photography

 A run down back alley provided a great backdrop with nice soft overhead lighting

Yup that's Guerrilla, not G-oh-rilla, as in Che not Kong. If you remember back to my last outing with the X100 I had originally planned to do this sort of shoot then. Due to a sudden cold snap the last time though outdoor shooting was scrapped and we headed to the local university. Well spring seems to be here now and I'd been meaning to work with this cool little camera slinging hipster I'd met on the plane to Halifax a few years ago. Clare agreed to step in front of the lens for me as we set out downtown to scout around and just shoot at any and all interesting locations we found. I had done something similar to this once before but we stuck to outdoor locations, with the X100 being so inconspicuous I could also sneak into cool buildings without my big dSLR setting off alarms that there is a pro photographer in the building.

Nobody batted an eye while we hung out in front of these elevators shooting away

The X100 proved to be great for doing this, not only did we not get hassled even once about taking photos we were given cookies :) That's right, while shooting in a stairwell of one of the cities higher end hotels a staff member carrying a tray was approaching us, "that's it" I thought here's where we're going to get kicked out but no instead he lowers the tray which turned out to be covered in cookies and offered us one.

Taken just minutes before free cookies

I must admit I'm still getting used to the X100, I'm constantly second guessing my focus, especially when shooting at f2. Most times my paranoia proves to be unjustified I just miss that reassuring feeling of the lens shifting and locking into focus that a bigger lens on an SLR body gives you. The other thing is how the camera doesn't automatically cross over into macro when the subject gets closer than a certain distance. I don't even need auto, I'd settle for a button that I can press without having to move the camera from my eye. When doing portraits I seem to be riding this line between macro range and normal range and I missed a few poses as my model relaxed and shifted as I had to enable or disable macro mode, with the moment lost I couldn't re-pose her to get the same look. The next shoot I do I'm going to try to put it in manual focus mode and just do the AF lock trick that Zack Arias mentions in his initial review of the X100. A few other pet peeves I realized were these: Why is there no option to enable Auto ISO from within the ISO menu? I've set my custom function button to bring up ISO yet in order to enable/disable auto ISO I have to scroll through menus. The other isn't so much a peeve as perhaps a design flaw, apparently if you have your camera in macro mode with manual focus enabled then turn the camera off you should not turn the camera back on with the lens cap in place because during the initialization the lens extends, hits the cap, then your camera gives an error telling you to turn the camera off then back on. This had me depositing bricks in my joe-boxers the other night when it happened. Luckily a power cycle cleared this but still its not something I want to repeat. Fuji should do two things, a) forget macro setting when camera is powered off b) return the lens to a known starting point when powered down c) sense via incoming light if a lens cap is on before performing the lens initialization d) not design a lens that extends past the outside of the bezel in the first place. I can live with these issues however and am still stoked on my X100, in a few years maybe I'll upgrade to the X300 or 400 and by then fingers crossed maybe full frame sensors will be more affordable and will be popping up in these.

I broke a few of my own rules during this shoot too, since this shoot was about experimenting as much as it was about finding new locations. Normally I tell everyone that they're crazy to shoot using an in-camera black and white mode, my argument is that you're just limiting what you can do afterwards so you should shoot in colour and convert in post. Going into this shoot I knew I'd be converting to black and white after anyway so I thought I'd try the black and white mode. Since I was doing portraits I chose the bw+g which is black and white with a green filter, this is supposed to give pleasing skin tones for portrait work. One thing I noticed about shooting this way is that it changes the way you compose the images, since you're seeing real time what it looks like in black and white. You're not shifting your angle to block out that nasty yellow building in the background or that puke green car because now they're just pleasing shades of grey. Its the same argument I made about Lensbabies, sure the effect can be done in post but when you're seeing the effect in real time it impacts how you're taking the shots and that matters just as much if not more sometimes.

The other rule I broke was shooting in jpg instead of RAW. I've read lots of X100 reviews where people couldn't say enough good things about the in camera jpg processing and how when shooting RAW and processing in Lightroom they couldn't seem to get as good results as straight from the camera jpgs. On this front I'm not so sure, there were a few times during post where I wished I had the latitude afforded to me that a RAW file would have provided. I was shooting in some dim locations and did wind up underexposing a few times (gotta be checking that histogram!).So a tip for X100 users, if you're shooting jpg make sure you're nailing the exposure (or even just slightly over exposing).

All in all the shoot was really fun and I found a few new locations that I can draw on if needed. There is still many alleys and even more buildings left unexplored so I think there may be quite a few more urban guerrilla shoots in store for this summer, stay tuned!

You just can't beat window light

Fuji X100, a dilemma of want vs need

Testing the Fuji X100 with off camera flash - ISO200 f2 1/500s

Disclaimer: This is not a detailed camera review, those have already been done ad nauseum for this camera and better than I could do. Nope this is more along the lines of Zack Arias's musings on the x100.

Nine days ago the portion of my brain that controls impulse was sleeping on the job and allowed me to drop a significant chunk of change on the Fuji X100. I'd been seeing advertisements here and there and reading the odd review in various photography magazines. I'll admit it, I have a huge softspot for retro items. When I started hearing about how great the image quality was out of the X100 and how it was using an APS-C sized sensor which up till now had only found homes in dSLRs my ears really perked up. By all accounts this was sounding like the camera I thought I'd bought when I picked up my G10. The issue with the G10 was that I always found myself packing a dSLR instead simply because as good as the images were out of the G10 they weren't good enough.

So having picked up the X100 I'm having mixed emotions, sure its cool and the photos it takes are very crisp, the f2.0 lens is sweet and the low light performance is encroaching on my 5DMKII's territory, but on the other hand the cost of it could have bought me a plane ticket to Europe. See I'm possibly going to Scotland this fall and the $1199.99 price tag could have gone a long way towards that trip.

Enter the 14 day return period, my plan is to put the camera through its paces and see if it holds up.

After picking up the camera I had to swing by my folks place to pick up a package I'd had delivered there. I wound up doing the unboxing over at their place so I quickly recruited my mom for a quick portrait shot by the window. I was immediately impressed by the image quality and shallow DOF that could be achieved from the f2.0 Fujinon Lens.

My mother poses for a quick test shot ISO100 f2 1/125s

So far so good. I'm digging the electronic viewfinder, the retro look already had me, but how does it work in the real world?

Its winter right now and honestly there wasn't much outside worth shooting, I did take the camera down to the local farmer's market where they had some ice sculptures on the display. The performance and ease of use was "ok", I'm really used to my Canon dSLRs so having an aperture ring and a horizontal shutter wheel alone were messing me up. I didn't manage to get any real note worthy shots so I'm not including any of those.

Before I knew it my first weekend with the camera was over and I hadn't really had much time or worthy subjects to shoot. During the work week I made plans to go out and shoot with a girl I've known for years and have done multiple shoots with. I chose her because besides being very photogenic I really don't have to think too much when I'm shooting her, we already have that rapport, leaving me able to focus on the camera. Another friend who'd just picked up a sweet vintage Yashica Lynx 14e (48mm 1.4 lens!!!) wanted to try it out too so he came as well.

The initial plan was to shoot downtown and just wander around finding locations as we went, however mother nature decided a cold snap was in order for this weekend and none of us relished an outdoor shoot. I decided the local University had enough locations where natural light was possible and that I'd bring a speedlite + umbrella along just in case.

The night before the shoot I realized I'd better try out my wireless triggers with the X100 just to make sure they worked. To my utter delight I found they not only worked but would sync up to 1/1000s thanks to the in-lens shutter! Apparently 1/4000s sync is possible with a cord as well. Sweet!

I'd already found that the high ISO noise performance was pretty amazing on this camera, producing useable images up to ISO3200. I'm not going to get into that here but this is a great post by someone else showing the low light performance with full res samples.

Available light shot in a fairly poorly lit stairwell

Trying some funky lighting out we took some shots by the lockers

In the bright catwalk hi-key lighting seemed to work so I ran with it

Strong sunlight provides natural backlighting while a white umbrella re-purposed as a reflector provides fill.

A colour shot from the X100 since I just realized the rest were BW or cross processed

Once the shoot was done I reflected a little on the pros and cons. Focusing speed and accuracy still doesn't compare with a dSLR, I did find myself second guessing the focus often. I also wish there was a smart mode where the camera would automatically go into macro mode if the subject is just entering that focal length. Its a real pain when doing portraits because it seemed to me the distance I'd most often shoot at was riding the line between normal and macro modes. I did like how the fixed lens made me work a little more to get the composition I wanted.

I realized after the shoot that I'd spent the whole time at f2, I probably should have tried a bit more with a closed down aperture but I'm fairly confident that image clarity could only improve.

After editing the photos and pixel peeping I'm quite happy with the images. Its not going to replace my 5DMKII by any means and I probably won't use it on any paid gigs except maybe to take advantage of the high speed sync here and there. The fact that I won't use it much if at all for paid work is the main thing that I was having trouble with, if I can use a camera to make money its much easier to justify. That being said there isn't really much choice out there for a camera like this, really Leica is the only manufacturer that comes to mind that those are much harder to justify.

All in all I'm happy with this little slice of retro heaven. Sure it has some quirks and some of the settings/menus are awkward but the fact that I can have such great image quality in such a portable form factor makes up for it. I think this is going to be my new traveling companion. I always wind up leaving my 5DMKII at home when I travel just because I'm too paranoid about bringing it anywhere, especially humid climates. For my last number of trips I took my backup dSLR which is a Canon t2i and have been amazed at what its capable of, however lugging my camera bag and laptop around through airports left me wishing I had a more portable option.

For better or worse it looks like I'm going to keep this camera, I just wish I would have had it with me a month ago when I was in Cuba!

T-Shirts, get your kitsch on!

I've been working on these cool line art drawings of old cameras for a while now and finally got around to opening up a storefront on www.redbubble.com

Photographers are notoriously hard to buy for so here's your chance to win some major brownie points with that special photo-geek of yours. Or if you're the photo-geek don't risk being disappointed xmas morning and just gift one to yourself :)

As a side-note I'm planning on using redbubble as a storefront to sell prints of my photographer in the near future. Once this is up and running I'm planning to make a post about how the process went and whether I'm liking redbubble or not. So far I've heard nothing but good things so you may want to head there yourself and create an account today.

Break from digital : A vacation to film land

I don't think I've really mentioned it much (if at all) here on my photo blog but I collect old and unique cameras. Every once it awhile I'll put down my digital cameras and pick up one of these to head out for a little film fun.

The majority of the older cameras I have are medium format TLR's and the odd box camera, there are a few 35mm exceptions like my elegant Werra 3 and the low fi Smena 8M.

It is when I have these cameras in hand that I remember how exciting taking photos was when I was a kid. Each frame was precious because you only had a finite number, no erasing unwanted photos or memory cards that allow for thousands of photos. There was always that feeling of anticipation as you waited to get the photos back from the lab wondering "did they turn out?" Or in some cases "I have know idea what's even on this roll" lol. The kids growing up in the digital age missed out on this (I feel old saying that and I'm only 29), don't get me wrong I love what digital sensors have given us in photography but it's also taken something away.

Today reminded me of that era and gave me a glimpse of that old excitement when I saw this camera while surfing the web:

(Photo from www.japantrendshop.com)

It's the Superheadz Blackbird Fly, a new 35mm TLR that hails from Japan. Other than Seagull I don't think any other company is producing new TLR cameras, sure there was that digital Rollieflex a few years back but at 2MP it was more of a joke than a real camera. These little Blackbird Fly's (aka BBF) are a little pricey at a touch over $100 but are cheaper than the medium format Seagull TLR. I like the fact that they shoot the readily available 35mm film, it's a little easier on the pocketbook compared to spending over $1 per photo with 120 film not counting the film itself. If you're shooting MF because of the higher detail negatives you're most likely shooting on a MF SLR or a higher end TLR anyway so 35mm makes sense for those of us just looking for some fun.

If you are however interested in the medium format route you can get into it on a fairly low budget. The Holga 120N is a cult classic in the field of lomography and can be had for under $50 if you look hard, Diana's (the inspiration for the Holga) are also still available and fit a shoestring budget. Some vintage cameras can be found on ebay or in your local antique shops, the Lubitel II and 166B made from bakelite instead of metal can generally can be had quite cheaply. Lastly, and not to be overlooked, the archaic yet still fully functional Kodak box cameras often sell in antique shops for around $10. The only piece of advice I'd offer when looking for vintage medium format cameras, assuming you want to shoot with them, is to make sure they shoot 120 film and not 620. It is possible to respool 620 onto the fatter 120 spools but its not the easiest process.


Another interesting little camera that is made by the same company is the Superheadz Golden Half which is quite unique itself. This is a throwback to yet another popular genre from yesteryear, a 35mm camera that only uses half a frame per photo netting you twice the pictures! A few years back I was trying to find something similar on Ebay and the vintage versions were fetching prices that were outside of my range. At just over $50 these are still a tad on the pricey side all considering however they are unique and since they're new you don't have to worry about buying one and finding the lens is covered in fungus ;)

(Image from http://kualalumpurcity.olx.com.my)

I ended up ordering an orange Blackbird Fly and a "black mountain" Golden Half, once I get them and put a roll through each I'll make another post reviewing my findings. At one point I'll dig all of my vintage cameras out, take their portraits, and write up a post about all of them too but that'll be down the road.